DEEP PURPLE

The band has gone through many line-up changes and an eight-year hiatus (1976–84). The 1968–76 line-ups are commonly labelled Mark I, II, III and IV. Their second and most commercially successful line-up featured Ian Gillan (vocals), Roger Glover (bass), Jon Lord (keyboards), Ian Paice (drums), and Ritchie Blackmore (guitar). This line-up was active from 1969 to 1973, and was revived from 1984 to 1989, and again in 1993, before the rift between Blackmore and other members became unbridgeable. The current line-up (including guitarist Steve Morse) has been much more stable, although Lords retirement from the band in 2002 has left Paice as the only original Deep Purple member still in the band. As of 2012, Deep Purple have not been nominated for the Rock and Roll Hall of Fame.

In 1967, former Searchers drummer Chris Curtis contacted London businessman Tony Edwards, in the hope that he would manage a new group he was putting together, to be called Roundabout. Curtis vision was a "supergroup" where the band members would get on and off, like a musical roundabout. Impressed with the plan, Edwards agreed to finance the venture with two business partners: John Coletta and Ron Hire, all of Hire-Edwards-Coletta (HEC) Enterprises.

The first recruit was the classically-trained Hammond organ player Jon Lord, who had most notably played with The Artwoods (led by Art Wood, brother of future Rolling Stones guitarist Ronnie Wood, and featuring Keef Hartley). He was followed by guitarist Ritchie Blackmore, who was persuaded to return from Hamburg to audition for the new group. Blackmore was making a name for himself as a studio session guitarist, and had also been a member of The Outlaws, Screaming Lord Sutch, and Neil Christian & The Crusaders. Curtis erratic behaviour soon forced him out of his own project, but Lord and Blackmore were keen to continue, and carried on recruiting additional members.

For the bass guitar, Lord suggested his old friend Nick Simper, with whom he had played in a band called The Flower Pot Men and their Garden (formerly known as The Ivy League) back in 1967. Simpers claims to fame (apart from Deep Purple) were that he had been in Johnny Kidd and The Pirates and the car crash that killed Kidd. Simper had known Blackmore since the early 1960s when his first band, the Renegades, debuted around the same time as one of Blackmores early bands, the Dominators. Bobby Woodman was the initial choice for the drums, but during the auditions for a singer, Rod Evans of the Maze came in with his drummer, Ian Paice. Blackmore had seen Paice on tour with the Maze in Germany in 1966, and had been impressed by the 18-year olds drumming. While Woodman was out for cigarettes, Blackmore quickly arranged an audition for Paice. Both Paice and Evans won their respective jobs, and the line-up was complete.

The band began in earnest in March 1968 at Deeves Hall, a country house in South Mimms, Hertfordshire. The band would live, write and rehearse at Deeves Hall, which was fully kitted out with the latest Marshall amplification. After a brief tour of Denmark and Sweden in April, in which they were still billed as Roundabout, Blackmore suggested a new name: Deep Purple, named after his grandmothers favourite song. The group had resolved to choose a name after everyone had posted one on a board in rehearsal. Second to Deep Purple was "Concrete God", which the band thought was too harsh to take on.

In May 1968, the band moved into Pye Studios in Londons Marble Arch to record their debut album, Shades of Deep Purple, which was released in July. The group had success in North America with a cover of Joe Souths "Hush", and by October 1968, the song had reached number 4 on the Billboard Hot 100 in the US and number 2 on the Canadian RPM chart. That same month, Deep Purple was booked to support Cream on their Goodbye tour.

The bands second album, The Book of Taliesyn (including a cover of Neil Diamonds "Kentucky Woman"), was released in North America to coincide with the tour, reaching number 38 on the Billboard charts and number 21 on the RPM charts, although it would not be released in their home country until the following year. Early 1969 saw Deep Purple record their third album, simply titled Deep Purple. The album contained strings and woodwind on one track ("April"), showcasing Lords classical antecedents such as Bach and Rimsky-Korsakov, and several other influences were in evidence, notably Vanilla Fudge. (Lord and Blackmore had even claimed the group wanted to be a "Vanilla Fudge clone".) Not satisfied with the possibilities for singles off this album, the band also recorded a single called "Emmaretta", named after Emmaretta Marks, then a cast member of the musical Hair, whom Evans was trying to seduce. This would be the last recording by the original line-up.

Unfortunately, Deep Purples troubled North American record label, Tetragrammaton, delayed production of the Deep Purple album until after the bands 1969 American tour ended. This, as well as lackluster promotion by the nearly-broke label, caused the album to sell poorly, finishing well out of the Billboard Top 100. Soon after the third albums eventual release, Tetragrammaton went out of business, leaving the band with no money and an uncertain future. (Tetragrammatons assets were assumed by Warner Bros. Records, who would release Deep Purples records in the US throughout the 1970s.) During the 1969 American tour, Lord and Blackmore met with Paice to discuss their desire to take the band in a heavier direction. Feeling that Evans and Simper would not fit well with a heavy rock style, both were replaced that summer. Paice stated, "A change had to come. If they hadnt left, the band would have totally disintegrated."

In search of a replacement vocalist, Blackmore set his sights on 19-year-old singer Terry Reid, who declined a similar opportunity to front the newly forming Led Zeppelin only a year earlier. Though he found the offer "flattering", Reid was still bound by the exclusive recording contract with his producer Mickie Most and more interested in his solo career. Blackmore had no other choice but to look elsewhere. The band hunted down singer Ian Gillan from Episode Six, a band that had released several singles in the UK without achieving their big break for commercial success. Gillan had at one time been approached by Nick Simper when Deep Purple was first forming, but Gillan had reportedly told Simper that the Roundabout project would not go anywhere, while he felt Episode Six was poised to make it big. Sixs drummer Mick Underwood – an old comrade of Blackmores from his Savages days – introduced the band to Gillan and bassist Roger Glover. This effectively killed Episode Six and gave Underwood a guilt complex that lasted nearly a decade, until Gillan recruited him for his new post-Purple band in the late 1970s. This created the Deep Purple Mark II line-up, whose first release was a Greenaway-Cook tune titled "Hallelujah". Despite TV appearances to promote the record in the UK, the song flopped. Blackmore had told the Record Mirror they "need to have a commercial record in Britain", and described the song as "an in-between sort of thing"—a median between what the band would normally make but with an added commercial motive.

The band gained some much-needed publicity in September, 1969, with the Concerto for Group and Orchestra, a three-movement epic composed by Lord as a solo project and performed by the band at the Royal Albert Hall with the Royal Philharmonic Orchestra, conducted by Malcolm Arnold. Together with Five Bridges by The Nice, it was one of the first collaborations between a rock band and an orchestra. This live album, Concerto for Group and Orchestra was their first album which made chart success in the UK. However, Gillan and Blackmore especially were less than happy at the band being tagged as "a group who played with orchestras" at the time; what they had in mind was to develop the band into a much tighter, hard-rocking style. Despite this, Lord wrote the Gemini Suite, another orchestra/group collaboration in the same vein, for the band in late 1970. Roger Glover later claimed Jon Lord had appeared to be the leader of the band in the early years.